![]() Halogen (pure white without any colors).Cloudy (spread out light softening colors,.The main white balance settings on most cameras are.You know this when you see the pure white, pure blacks or pure gray on the viewfinder(if there is any item in these colors). Unless you what to do a special color effect like Sepia (brownish cast) you need to set the White Balance on the camera settings to match the light temperature of the light source. White balance refers to the cast, or glow, that white areas and subjects appear in photography. Learn how to identify white balance settings in different situations. If your object is an art project on a sheet of white paper or is surrounded with a lot of white without flash you are in a subtractive setting.This system is also called the CYMK or Cyan, Yellow, Magenta, Black. This property is most commonly used in mixing colors with any art mediums not involving light. If you mix all of these colors together in equal parts you get black. Subtractive colors are the results of what you if illuminate a colored filter from behind with the white light.Whenever you're using high exposure or a flash you are adding a white light thus this is an additive color situation. ![]() This color system is called RGB or Red, Green, Blue system. Whenever you use a lighted screen such as the computer screen you use this system. In this situation, if you add equal parts of red, green and blue you'll get white. Additive colors are the result of adding white light to a color against a black background.Once you learn how to correctly identify the color situation you're dealing with and how these situations affect different hues of color you can photograph colors more accurately. There are two color properties that can be helpful when trying to get photographed objects to turn out correctly. Like in any form of visual arts photography requires some knowledge about how colors react to light. Learn the difference between additive and subtractive color situations.
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