That said, pre-pandemic, the ability to take my photography work on the road, on planes, and to all the destinations that I miss so dearly now, was a real godsend. This is a funny one to call out seeing as how travel has been on pause lately. In my current workflow, there’s a cleaner, more invisible (read: wireless), and likely even more secure approach to data management that lets me focus on what matters most: photography. ![]() ![]() Between the SD card in my camera, the external hard drive of RAW files, the Lightroom catalog (for Lightroom Classic), and the exported images in Dropbox, data management felt like a prominent yet undeserving part of my photography workflow. One of the worst parts of my old workflow was that I was constantly managing the transfer of data from one place to another. There are things I like spending time thinking about, and then there’s data management. As someone who grew up putting pencils to paper in order to produce creative work, editing photos through a mouse and keyboard just always felt a little disconnected to me. Photography is a visual medium and there is an intangible joy that comes from being able to physically touch your work. ![]() This is one of the most important reasons why I enjoy editing on the iPad Pro. Why is the iPad Pro better for photography?īefore I talk about my photography workflow, let me summarize why I think the iPad Pro has been beneficial and why you might enjoy it too. Why is the iPad Pro better for photography?.Remember: workflows are super personal and full of subjectivity, so take my recommendations with a grain of salt as you evaluate it for yourself! In this tutorial, I’m going to cover what my photography workflow looks like today and what you need in order to replicate it, should you decide that it’s right for you. That’s right: I took the plunge in 2018 in pursuit of a better way, and 3 years later, I don’t think I could ever go back to the now seemingly archaic process of editing on a computer. Geez, I certainly hope so, I prayed.įast forward to 2021 and you’d see me armed with a M1-powered iPad Pro (5th gen) surrounded by a beautifully orchestrated ensemble of apps and services powering a fully touch- and cloud-based photography workflow. I glanced to the right at an entangled pile of power adaptors and external hard drives tethered to my laptop – a necessary evil to power my growing Lightroom catalog and years of RAW files. ![]() As a photographer, my mind immediately raced towards the obvious question:Ĭould the iPad Pro replace my laptop in my photography workflow? It was that running a full version of Photoshop signaled a whole new world of possibilities that mobile devices were never capable of prior to that moment. It wasn’t so much that Apple was touting the 3rd gen iPad’s capability to run a full version of Photoshop (which is still kind of insane if you think about it). But then the Photoshop demo hit the screen and I was hooked. I’ve had one or two iPads before then, but had always found their size and performance to be somewhere in the awkward middle amongst my ecosystem of devices. Admittedly, at the time, I hadn’t paid too much attention to it. Back in October 2018, Apple introduced a bold new generation of the iPad Pro.
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